The progress of the researchers has a familiar ring. As has often been the case when enthusiasts have tried to discover the secrets of the Giza site, one person has almost always obstructed their efforts. Zahi Hawass, the head of Egyptian Antiquities in Cairo at that time, first stated categorically that there were no underground chambers at the Giza site, even though the researchers had found and photographed underground chambers. He then barred the entrance to the temple concerned. He followed that up by taking a film crew down those same passages but made no effort to explore further. This tactic of Hawass's, of rubbishing theories and then blocking access to the site so that no one can explore further, has occurred multiple times. For example, after Jean-Pierre Houdin developed a sound theory of an inner ramp within the Great Pyramid, he went to Giza and discovered a collapsed corner of the pyramid wall, high up, exactly where an inner ramp could have weakened the pyramid's outer shell. Houdin had a quick look and then rapidly found the site barred to any access. Since that time, no one has been allowed to explore that collapsed corner. Similar events may happen again. Hawass is currently not the head of Egyptian Antiquities, possibly having been sacked (again), but it is possible he may be reinstated, which has also happened before.
I also really enjoyed the style and pace of the documentary. I do enjoy watching 'Ancient Aliens' now and then, but this earlier documentary's measured pace and calm reflection is a breath of fresh air compared to the 'whizz-bang-flash!' of many modern documentaries. It was aired in 1999 but it seems like it's from the early 80's! Love the beard…
This might a good moment to compare and contrast the new version with the old one. Here's my original version of the page, drawn in 2013:
I remember being very pleased with it. I felt I'd gone up a level. Now, eighteen months later, I'm trying to work why I honestly thought it was good. I seem to have drawn a child's toy tugboat and tried to pass it off as an ocean-going passenger liner. Also, the buildings on the right seem to be made out of Lego and half the passengers have clothing made from plasticene. The logo and the left-hand crate aren't bad, but that's about it. Ow!
There's definitely an embarrassing side to making progress as a writer or illustrator. In the early stages, you think you're doing great work and you can't understand why you're not being picked up for publication. 'What's wrong with those publishers, why aren't they interested!?' A year-or-so later, after several hundred more hours of practice, you look at the same work again and the reason is painfully clear. D'oh!